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She collaborates with other companies as actress, puppeteer and director.
#MERGE MAGIC MAGIC BEAN HOW TO#
She falls in love with puppets, learns how to make them and animate them, and in 2009 moves to France to work with Philippe Genty she is interpreter and puppeteer in Voyageurs Immobiles and in the object theatre show La llamada del mar.
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We will let ourselves be guided in this dialogue, taking care to articulate our relationship with the material between dissociation and contamination in order to discover different possibilities of scenic writing.Ī graduate in Philosophy, she trained and worked as an actress between Rome and Milan. We will discover the material as a partner, an extension, an echo of our unconscious. We will let the evocative dynamics of the material guide the encounter with our intimate resources, our memory, our memories, our inner landscapes. We will meet the material by putting ourselves at the service of its dynamics, listening to its essence, discovering its poetic qualities and metaphorical possibilities. The compasses of this exploration will be the instruments of the Philippe Genty Company.
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The dialogue with the inanimate is a continuous game of mirrors and cross-references: the stimulation of the manipulator corresponds to a response of the material that becomes a question for the manipulator and so on in a "mise en abîme" in which the boundaries between manipulator and manipulated are lost, or better, they merge in a continuous dialogue. The Seminar proposes to explore the dramaturgical possibilities arising from the relationship between actor-manipulator and material.